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Oil Paintings
Come From United Kingdom
An option that you can own an 100% hand-painted oil painting from our talent artists. |
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LIPPI, Filippino
Italian Early Renaissance Painter, ca.1457-1504
Son of Filippo Lippi. He was a painter of altarpieces, cassone panels and frescoes and also an exceptional draughtsman. His success lay in his ability to absorb, without slavishly following, the most popular trends in contemporary painting. He worked in Florence and Rome at a time when patrons were beginning to intermingle personal, religious, social and political ideals in their ambitions for palaces and chapels: with the support of wealthy and erudite patrons, such as Lorenzo de' Medici and Filippo Strozzi, he won important civic and private commissions. |
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LIPPI, Filippino
Disputation with Simon Magus and Crucifixion of Peter sf
1481-82
Fresco, 230 x 598 cm
Cappella Brancacci, Santa Maria del Carmine, Florence
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LIPPI, Filippino
Crucifixion of Peter (detail) sg
1481-82
Fresco, 230 x 598 cm
Cappella Brancacci, Santa Maria del Carmine, Florence
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LIPPI, Filippino
Disputation with Simon Magus and Crucifixion of Peter (right view) sg
1481-82
Fresco, 230 x 598 cm
Cappella Brancacci, Santa Maria del Carmine, Florence
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LIPPI, Filippino
Disputation with Simon Magus and Crucifixion of Peter (detail) ghsh
1481-82
Fresco
Cappella Brancacci, Santa Maria del Carmine, Florence
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LIPPI, Filippino
St Peter Freed from Prison sg
1481-82
Fresco, 230 x 88 cm
Cappella Brancacci, Santa Maria del Carmine, Florence
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LIPPI, Filippino
St Paul Visits St Peter in Prison dh
1481-82
Fresco, 230 x 88 cm
Cappella Brancacci, Santa Maria del Carmine, Florence
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LIPPI, Filippino
Gabriel from the Annunciation
1483-84
Wood,
diameter 110 cm
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LIPPI, Filippino
St Philip Driving the Dragon from the Temple of Hieropolis
1502
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LIPPI, Filippino
Triumph of St Thomas Aquinas over the Heretics
1489-91
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LIPPI, Filippino
The Annunciation
mk223
Oil on canvas
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| LIPPI, Filippino
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Italian Early Renaissance Painter, ca.1457-1504
Son of Filippo Lippi. He was a painter of altarpieces, cassone panels and frescoes and also an exceptional draughtsman. His success lay in his ability to absorb, without slavishly following, the most popular trends in contemporary painting. He worked in Florence and Rome at a time when patrons were beginning to intermingle personal, religious, social and political ideals in their ambitions for palaces and chapels: with the support of wealthy and erudite patrons, such as Lorenzo de' Medici and Filippo Strozzi, he won important civic and private commissions.
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